The page uses Browser Access Keys to help with keyboard navigation. Click to learn moreSkip to Navigation

Different browsers use different keystrokes to activate accesskey shortcuts. Please reference the following list to use access keys on your system.

Alt and the accesskey, for Internet Explorer on Windows
Shift and Alt and the accesskey, for Firefox on Windows
Shift and Esc and the accesskey, for Windows or Mac
Ctrl and the accesskey, for the following browsers on a Mac: Internet Explorer 5.2, Safari 1.2, Firefox, Mozilla, Netscape 6+.

We use the following access keys on our gateway

n Skip to Navigation
k Accesskeys description
h Help
    Macalester College
   
 
  Sep 21, 2017
 
 
    
College Catalog 2014-2015 [ARCHIVED CATALOG]

RUSS 270 - Wrongdoing in Russian Literature


The Russian word for crime literally means “overstepping,” in the sense of crossing a boundary. What happens, however, when that boundary shifts, as it did in the twentieth century with the Bolshevik Revolution? Or what if the society that defines the criminal is itself “wrong”? Throughout its history, Russian literature has returned almost obsessively to the theme of transgression. We will take a cross-cultural approach as we juxtapose Russian texts with those from other literary traditions, bringing out a similar and contrasting views of wrongdoing in Russian culture and that of “the West” against which Russia has traditionally defined itself. Readings will introduce course participants to an intellectual axe murderer, a malicious barber, a female serial killer, demonic hooligans, men pushed over the edge by classical music, and others on the wrong side of the law. Central to the course will be the question of how fiction writers present crime and how their artistic choices influence the way readers think of such seemingly self-evident oppositions as good and evil, right and wrong. We will address such themes as: the motives for and the moment of crossing over into crime; the detective as close reader/the criminal act as a work of art; gender and violence; crimes of writing; the (in)justice of punishment and the spectacle of state power. We will explore St. Paul’s “underworld” history and how it has been reinvented as a tourist attraction. Students will be encouraged to apply ideas arising from our readings to current events, studying the means by which contemporary instances of wrongdoing (and the trials intended to make things right) are represented in the mass media, and analyzing how true-life stories are turned into allegory and myth. Offered every other year. (4 Credits)